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Sampleson has worked some magic with their spectral modelling to build a piano in software from a patent filed by Leo Fender in 1959 of an electric piano that was never constructed.
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Sampleson has shifted its spectral modelling gaze onto the electric pianos of the 1990s and offers up the aptly named Glassy combining classic DX and Roland digital sounds with a snuggly pad generator
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Akoustic is a wonderfully weird and organic sounds spectral and additive synthesizer that mutates acoustic instruments through spectral modelling and partial manipulation. Subtle, nuanced and strange.
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Steinberg has acquired SpectraLayers, and released SpectraLayers Pro 6. The latest version of the spectral audio editor comes with new editing tools, workflow improvements, and ARA support.
Toneboosters has added Enhancer to its catalogue of useful and affordable plug-ins, which lets you add a bit of sonic sparkle to individual tracks and entire mixes during mixdown and mastering.
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Spectral Modelling is a curious thing. They sample an instrument and reduce it down to simple sine waves that recreate the authentic sound in a handful of MBs. The Model T is their latest electric piano.
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16 bands of complex spectral analysis that offers filtering, EQ, vocoding and transformative resynthesis. Buchla 296e is one of the most complex and expensive hardware modules. Get it in Softube Modular.
Rossum Electro-Music boggle our minds with the Panharmonium. Plug in some audio and it extracts the spectrum and runs it through up to 33 oscillators. But we don't know what it sounds like yet.
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Sampleson uses spectral analysis and modelling to faithfully recreate the Wurlitzer 200a in only 30MB of sine wave samples. The Reed200 is refreshingly simple and delightfully full of character.
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Sampleson has taken their Rhodes samples apart and found that they only need to tune sine waves to accurately recreate the entire spectrum of sound. Markus 88 is only 25MB and sounds like a 2GB instrument.
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Propellerhead have released their flagship spectral wavetable synthesizer as a VST/AU plug-in. Will Europa by Reason be a unique port to the format or is this the beginning of a new era for Propellerhead?
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Gleetchlab 4 is for messing around with the nature of sound via 6 loopers and a load of processors to filter, stretch, delay, degrade, Gristleize, percolate, resonate and modulate.
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Can a plug-in really make your mixes automatically more spacious and detailed? Well iZotope think so with their new Spectral Shaping Plug-in 'Neutrino'.
No, I have no idea what that means either but Quadrimorph makes some great monster noises.
