It's pre-NAMM Show time and those advertising gurus are all in a fever and trying to whip up a frenzy and get us all excited. So what could it be?
Following on from their announcement back at the NAMM Show earlier this year, it looks like we are just about to see these hit the streets!
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It was announced at NAMM 2017 that Plugin Alliance and Black Box were coming together to deliver a plug-in version of the HG-2, and now it's arrived...
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dBTechnologies present a new compact PA and wedge monitor solution - but can this speaker be both aggressive and sonically accurate, as their marketing claims? We take a look at how they aim to square that ...
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The new Suhr JM Pro Series comes in many flavours and has something for everyone it would seem.
The Somnium Guitar range takes many shapes and forms, but is essentially one guitar at heart.
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In a Gearnews exclusive, ADAM CEO David Angress reveals some hidden functions slumbering within their new S Series...
Blue's stylish mics are found in many pro and home studios - are their latest Blue Essentials models, seen at NAMM 2017, worth closer a look?
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The new RED pedal is anything but transparent, so if you like lots of gain, this is one to check out; in other news, their popular Julia Chorus/Vibrato pedal gets a limited run, as well...
While other interfaces try to cater for as many I/O formats as possible, MOTU cover the 3 main digital audio connections with 3 separate products.
Two years in the making the new Marty Friedman twin channel valve behemoth full of German amp gain is finally ready.
Charvel have produced a new signature San Dimas model for Joe Duplantier of French avant-metal legends Gojira.
Jackson roll out some very metal guitars for the new year, some more pointy than others!
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Turn your guitar or voice into an analog synthesizer with Squaver P1 and Convertor - audio controlled synthesizers
Ampeg didn't announce any new amps at NAMM 2017, but instead presented the Classic Bass Preamp and Scrambler Bass Overdrive pedals - that look derived from the SCR-DI...
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The TrueOverDrive 1 attempts a different take on your typical OD tone, using a "cascading gain" for a valve-like overdrive. Will that be enough to stand out from the crowd?