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The dust has now settled on Superbooth, so we can return to wandering the internet looking for interesting bits of modular to have a look at.
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Tired of dealing with dry vocals and relying on the venue engineer? We take a look at the best vocal effects pedals for studio and stage.
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TrapTune by Soundevice Digital offers everything you need for authentic trap vocals: Pitch correction, formant shifting, and more.
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Looking fabulous in those Noise Lab colours the Formantic is a control-laden formant filter with bags of room for versatile filtering and expression.
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At SFF2022 this weekend we were treated to a demo of the forthcoming Kodamo Infini synthesizer that features FM, Formant and Bitmask synthesis.
Softube has released Vocoder, a new vocoder plug-in designed to deliver classic sounds with a modern workflow. It's also got a couple of tricks up its sleeve.
Zynaptiq is currently offering great deals on the Wormhole, Adaptiverb and Morph 2 plug-ins. Grab these extraordinary effects for €99 each!
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Zqueezer by W.A. Production is a unique filter that mangles your signals in all sorts of interesting ways. Get ready to zqueeze your overtones!
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Witch is a standalone programmable beast of a little synth that supports the OWL platform patch library, multiple polyphonic synth engines and MPE.
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GYRINX is a painstakingly realized design informed by the known original topology of incomplete schematics, datasheets, and designs from other synths of the era of the Synton SYRINX.
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DJ Swivel has released The Sauce, an all-in-one vocal effects plug-in. Does The Sauce have all the ingredients to give your vocal tracks that chart-topping edge?
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Waves Organic ReSynthesis technology takes an incoming vocal and breaks it into amplitude, pitch and formant and then resynthesizes them to create a whole new sound via an 8-voice synthesizer engine.
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Kemper adds two reverbs to its Profiler OS, which reaches v6.0. Available now via its website, the two reverbs are of the expansive "big studio machine-grade" variety, adding welcome new textures.
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Antares has introduced the Auto-Tune EFX+ plug-in. It combines pitch correction with additional effects, for the warped vocal sounds that dominate current hits.
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If you ever wanted your Eurorack to talk then this is probably not it, but if you want to generate the human-like squeals and formant tones of someone trapped inside a very small module then this is for you.
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Roland has added two FM variations to the oscillators on the System-8 featuring 2 operator and 5 operator waveforms. It also gets filters from the Jupiter-8 and Juno-106 amongst other bits and bobs.
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Auto-Tune is 20 years old and reaches version 9, or Auto-Tune Pro as they are calling it. Revamped interface, key and scale detection, ARA support and low latency mode amongst the improvements.
The Formant Filter from the Modor NF-1 is now available as a Eurorack module. It sounds every bit like you are running your oscillator through someone's throat.
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Modor have taken their NF-1 digital synthesizer and squeezed it into a much more portable box and called it the NF-1m.
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The Orb gets mouthy with its easy to use three band formant filter, but is it all mouth and no trousers?
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Explore the male throat of Jussi in this voice and vowel emulating synthesizer