by Robin Vincent | Approximate reading time: 4 Minutes
NAMM 2018 Synth Predictions

NAMM 2018 Synth Predictions  ·  Source: Robin Vincent


NAMM is only a couple of days away and we’ve already had Korg and Arturia explode with premature releases. But what else could be coming up? What huge secrets are being hidden behind the poker faces of synthesizer makers and manufacturers? Here’s what I think.


Arturia announces MiniBrute for Eurorack

What struck me with the whole MiniBrute 2 and RackBrute releases was how nicely the entire synth voice panel would drop straight into their RackBrute case. Although, perhaps not quite because of the really annoying 5HP unnecessary power module. In my mock-up, I’ve simply removed it. It would fit fine in anyone else’s rack and in the 6U one of course. Alternatively, they could try to shave 5U off somewhere, but then they’d have to be producing different boards and front panels. Maybe that’s why they haven’t gone for it yet. Anyway, of all my predictions this is the one that would surprise me the least. Could be called the MiniBrute 2E or the EuroBrute. And hopefully, it will make way for a whole range of Arturia Eurorack modules.

Arturia EuroBrute Mockup

Arturia EuroBrute Mockup · Source: Robin Vincent

Roland new range of multi-function ACB based Eurorack modules

The Aira range of Eurorack modules were well regarded but a little on the fat and wide side and seem to be more or less discontinued. Roland is always intent on combining analogue sound with digital trickery and so I think they are cooking up another go at the Eurorack format. It would come in the shape of a vanilla Eurorack module, half the width of the Demora/Scooper/Torcido/Bit Razer. Using their ACB technology it could become a single component from any of their Boutique synths. The oscillator from the SH-101, the filter from the Jupiter 8, the kick drum from the TR-808. Maybe they could be switched in software. Essentially you could end up building a custom Roland synthesizer by buying a bundle of a half a dozen modules. And then you could change them into something else. Make it bluetoothable to an iPhone and you wouldn’t even have to take it out of the rack.

Roland module mockup

Roland module mockup · Source: Robin Vincent

Yamaha reintroduces the CS-80

Everybody wants it. It’s really the only big of vintage Yamaha hardware that anyone is interested in. There’s FM synthesis all over the place and Arturia has modelled the DX7 – the CS-80 is the only thing Yamaha could do that anyone would care about. With Deckard’s Dream stealing all the thunder at a whopping $3500 Yamaha could put out some kind of hardware version, with all the controls and all the sound for £500. The world would lose its mind. They should just do it – don’t change a thing – don’t hybrid it with some digital nonsense, just keep it completely real. It’s the only thing Yamaha can do to get back into the synthesizer business.

Yamaha CS-80

Yamaha CS-80 · Source: Ronson music

Moog go full Eurorack

Following on from the Mother-32 and the DFAM Moog are going to launch directly into the Eurorack format by releasing a swathe of modules pulled from their back catalogue of synthesis technology. Could they reimage the System 55, System 35 and Model 15 into Eurorack? Certainly, all of us would love authentic ladder filters, oscillators, and Mooger Fooger processors in our systems. They’ve already released a couple of 500 Series modules – Eurorack is not much of step away from that.

Moog Eurorack - worst mock-up ever

Moog Eurorack – worst mock-up ever · Source: Robin Vincent Moog

Someone launches a desktop Eurorack mixer

Less of a prediction and more of a personal wish. I need a desktop mixer for my modular system. You can use regular mixers but they seem to be over-speced and take up a load of desktop. And there are some “performance” style mixers in Eurorack modules but they tend to use up a load of hp. What I would like is a mixer designed for Eurorack that can sit in a desktop case. So it would have minjack inputs, set to Eurorack levels. The faders would be those LED sliders and it would need Mute and Solo buttons. A couple of send/returns would be useful, as would some CV control over level. It would have an input channel for microphone and guitar, and an output section with line and headphones. USB would take the whole lot into your DAW and a row of DC Coupled outputs could complete the circuit and offer a route for DAW-based modulation. It could, of course, be rackable as well, but doesn’t have to be. That would be awesome.

The closest thing to it I can find is the WMD Performance Mixer. So if they could squeeze in solo buttons, stick in a USB powered case with drivers for your DAW and DC Coupled outputs, and maybe up the channel count to 16 – that would be awesome, thanks.

WMD Performance Mixer - almost the mixer I want

WMD Performance Mixer – almost the mixer I want · Source: WMD

How about you? What are you hoping or expecting to see emerge at NAMM over the next couple of days? To keep up with our coverage hang out on our NAMM 2018 news page.

NAMM 2018 Synth Predictions

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3 responses to “NAMM 2018: Robin’s synthesizer predictions”

    Thomas Emil Hansen says:

    I don’t think a £500 CS-80 is possible (unless maybe if it comes from Behringer). The reason why the classic polysynths (CS-80, OB-8x, Jupiter-8, Prophet-5) have not been fully recreated in modern day is simply because they become too expensive. They were extremely expensive when they first came out, so why should it be much different now in a much more competitive market? Granted, modern production could lower some of the price, and it does when the recreations compromise (Prophet-6 for example), but look at the Oberheim TVS or the Minimoog D reissue. They are considered way too expensive for most people, yet they sound way better than most modern analogue synths.

    Tomm Buzzetta says:

    Synth predictions? Here’s one of mine: And I’d like some “feedback” on it from some gigging keyboardists: A compact, lightweight ( -under 5-pound ) AC/DC operable workstation keyboard ( -the same size as Yamaha’s svelte “ReFace” line ) patterned after “Tomm’s Grab & Go Workstation Keyboard” design ( -click the link below and scroll down the page to see it ). Am I the only gigging keyboardist who’d love to see Yamaha make this their NEXT “ReFace” model? Getting that much workstation power in such a compact and lightweight keyboard would be a dream come true for me. What about you? Weigh-in and tell me what you think of the design. Should Yamaha put this “Grab & Go” Workstation into production? Would YOU buy one? LINK:

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