by Jef | 3,8 / 5,0 | Approximate reading time: 7 Minutes
The Best Value Tube Guitar Amps

The Best Value Tube Guitar Amps  ·  Source: Thomann

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The Best Value Tube Guitar Amps is our guide to five guitar amps that should be on your radar. Each offers guitarists great tones, flexibility and value for money. A good tube amp will be a core part of your tone, so buying a decent one will pay dividends. 

The Best Value Tube Guitar Amps

The world of guitar tube amps is pretty crowded these days. Many manufacturers offer modern-day recreations of vintage classics, hybrid designs with even-more functionality than ever before and handy onboard technology to help you capture those sounds live on in the recording studio.

Which ones should you look at and what should you look for? This will depend a lot on the situations where you require an amp. There are now tube amps perfect for home use, studio work and gigging. How flexible does your amp need to be for your use and where will you be using it?

Plus, are you looking for simplicity, or do you need all the bells and whistles?

I’m a firm believer in ‘less is more ‘ and getting to know your gear. This won’t work for everyone though, as some players have complex setups that require channel switching, MIDI control and multiple gain stages, etc

In this article, we shall check out some of the key tube amps that give musicians value for money and are a great starting point for what is out there. It is not definitive, as we could be here all year looking. What it does offer though, are some solid choices you should know about.

Fender 65 Twin Reverb

This Fender 65 Twin Reverb is a modern-day recreation of a ’60s tube amp that has been a firm favourite of guitarists for many years.  This 85-watt combo is ideal for players that gig and record. It is a 2 x 12 loaded with a pair of 12″ Jensen C12K 8 ohm speakers, which means it is quite heavy, but if you want a great tone, then it is worth its weight in gold.

Key features are the onboard spring reverb, vibrato and twin channels.

Fender 65 Twin Reverb combo

65 Twin Reverb · Source: Thomann

Vintage Vibrato

This two-channel combo has a normal channel with Volume, Treble, Middle and Bass. This is paired with a vibrato channel with controls for  Volume, Treble, Middle, Bass and Reverb plus Speed and Intensity for the vibrato and a Bright switch for each channel.

With a set of tilt-back legs that allow you to aim it upwards towards your ear, this somewhat large amp is a glorious sounding thing and a great platform for pedals.

This is a stone-cold classic tube amp and will no doubt last you for your lifetime. If you want that classic Fender tone, then here is where you should start looking. Original vintage amps nowadays are very expensive, and also cost a lot of money to maintain. This modern-day American-made amp will serve you well and I highly suspect you will have a huge smile on your face when you crank it up.

MSRP – USD 1949/GBP 1845 *

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Friedman JJ-Junior Head

Next up is the Friedman JJ-Junior Head and this 20-watt head is a beast. It is also feature-packed for what is a relatively simple tube amp and has some great features for anyone wanting to use it at home, in the studio or for playing live. Dave Friedman designs a great tube amp and this collaboration with Jerry Cantrell of Alice in Chains fame should certainly be on your radar.

Friedman JJ-Junior Head

JJ-Junior Head · Source: Thomann

Recording Made Easy

Don’t be fooled by that simple front panel as this amp head is full of great tube tones. I also love that it comes with both a speaker-simulated XLR output and an internal load for noiseless playing and recording.

They also have the ultra-transparent buffered effects loop, plus Clean and Dirty channels that are both super flexible. Friedman amps are built like tanks and this little amp head should last you a lifetime. If you prefer combos, then you are in luck as they also do it as a 1×12 * loaded with single 12″ Celestion 16 Ohm G12M.

MSRP – GBP 1777 *

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Orange Dual Terror Head

Another small head and this time it is the Orange Dual Terror Head an amp that every guitarist should try at least once in their lives. Offerings two channels and rated a 30-watt output. These amps are an absolute blast to play through loud at gigs. It is a real ‘grab and go’ amp, designed to make gigging easy and fun.

Orange Dual Terror Head

Orange Dual Terror Head · Source: Thomann

British Tone

These are dirty little amps, with a really tasty British amp tone that makes you want to play loud. They do clean to crunch and take effect pedals really well. Again, the amp’s designer Ade Emsley knows how to build an amp that makes guitars sound great. I would say it is a no bells and whistles, get down the pub and start rocking out kind of amp, with plenty of ‘attitude’.

Plus, they are flexible as have a rear-mounted 4 Valve/2 Valve switch and Full/Half Power mode that drops output power down to 15 or 7 watts.

Which is what makes it a glorious amp to play through. I’ve played many a gig through one of these and they just work.

MSRP – GBP 754 *

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Revv G20 Amp Head

The Revv G20  is a compact amp with plenty of gain and modern features. These amp heads will do 20-watt or 4 watt output, and have built-in Two Notes Reactive Load with Virtual Cabinets.

Revv G20

Revv G20s · Source: Thomann

Modern Flexible Design

There is a clean channel and a somewhat spectacular high gain channel, both are very tasty. It has a Reactive Load Direct Mode, plus a Pre & Post-Switch that selects whether the power amplifier is in the signal chain. The Reactive Load automatically engages when a speaker is not detected to preserve the amp and stop it from getting damaged.

It is also fully programmable and recallable via MIDI, making it a very capable modern tube amp.

These are super flexible little amps and it is crammed full of great features for modern guitarists. Perfect for gigging, recording and integrating into more complex setups.

MSRP – GBP 1299 *

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Marshall DSL20HR

No list of the best value tube guitar amps would be complete without an entry from Marshall. Watts not to like?! 20 Watts, that is. This all-tube rocker gives you that warm crunch Marshall is famous for. And at a pretty excellent bargain for this model from Marshall’s Super Lead series.

Marshall DSL20Hr

Marshall DSL20Hr · Source: Marshall

Tiny box, huge sound

Get a load of these tubes: three ECC83s in the preamp section and two EL34 power tubes – all that sound in such a compact box. You get two channels with the DSL20HR: classic gain and ultra gain. On the back, there are inoputs for a footswitch (to switch between the channels), an effects send and return pair, and a minijack output for Emulated Line.

To further shape your sound, you get a three-band EQ for Bass, Mids, and Treble. In addition, you get controls for Presence and Resonance with the DSL20HR. And there is a digital reverb to top it off.

MSRP – GBP 379 *

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The Best Value Tube Guitar Amps

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It’s astonishing to consider the range and variety of tube guitar amps we have available to us nowadays. For a technology that has been declared “obsolete” on many occasions, the tube guitar amp simply refuses to die!

Do you agree with our selection? Maybe there’s an amp you think deserves to be in our roundup? If so, let us know in the comments!

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The Best Value Tube Guitar Amps

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9 responses to “The Best Value Tube Guitar Amps – 5 amps for all budgets and tones”

    Joe Shlabotnik says:
    7

    Amps I would add to the list are –

    VHT Special 6 ($480 / £354) for a handwired (!!) low wattage Fender type of amp – it’s very popular amongst those in the know.

    Blackstar St. James – it covers American and British tube sounds and the power scaling and output with modeled cab/mic make it ideal for the stage and studio. The 1×12 combos are $400 cheaper than a Deluxe Reverb, and they offer so much more in features.

    It’s just so hard to consider a Fender amp these days if value is a consideration – their prices have jumped up so much in the last 3 years, more than any other manufacturer. The Deluxe Reverb went from $1099 in 2020 to $1699 (there’s a special sale for $1599 currently in the US). Meanwhile, Vox has held steady. If I were looking at the Deluxe Reverb, I’d consider the offerings from Mesa/Boogie for a little more now, whereas they were significantly more before. Personally, I’d just go for a Vox AC15 if I were looking at a Deluxe Reverb ($800 vs $1699) and the AC30C2 over the Twin Reverb ($1300 vs $1950). It won’t sound like a Fender, but I could stick an EQ pedal to get some of that mid-scooped sound. Even better, with the money I save, I could get a UAD Dream 65 and stick it in front of the Vox and still have money left over. Why not just get a Fender you say? Well, I’d now be able to get a great Vox sound, a good Fender sound from the Vox, and I have this pedal that gives me the option of showing to gigs, go direct, and not have to lug around a heavy tube amp.

      Jasom says:
      2

      I was thinking while going through the list that my beloved AC15C1 needs to be on here. I got it used from Long & McQuade for $599CAD and what a deal that was.

        Joe Shlabotnik says:
        1

        Or for a little more than the price of a Deluxe Reverb, I could get the AC15 and the Tonemaster Deluxe Reverb.

        I was originally going to mention the offerings from your compatriots at Traynor.

      Jef says:
      0

      Some solid choices there, thanks for sharing.

    Jewcifer says:
    1

    being the heaviest on your list–around 65lbs–I thought it humorous that you remarked that it was “worth its weight in gold”. worth its weight in copper is more like it.

      Jef says:
      1

      They are heavy and the last few I have owned have been in full flight cases as well, which makes them even heavier!

    SA says:
    1

    I still love my tube amps (Victoria amps are my favorite), but I have to admit I feel like a dinosaur every time I go to a local show lately; almost everyone I see locally is using digital gear now. Touring acts with a road crew are a different story. If value is a concern, I’d definitely recommend the HX Stomp over anything; total Swiss Army knife, especially with the new cab sim update that actually sounds great.

    …not going to sell my Victoria, though. 😉

    James Moffatt says:
    0

    I love the Laney LA 30 BL…built with the LA 100 BL circuit. So Full power 30 watts, simple class “A” amplifier. Jumper both the bass & treble inputs for best plexi sound.

    Randy Price says:
    -1

    I still like my Fender 57 Custom amp……I have played all my life and realize solid state has it’s ups and downs….but tubes are the real deal….IMO.

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