by Robin Vincent | Approximate reading time: 1 Minute

Extreme Vocal Environments  ·  Source: timeandspace.com

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Producer Si Begg has created a number of library instruments for Zero-G including “Extreme Environments” designed for creating ambient beds, pads and effects. Extreme Vocal Environments, or EVE, takes the same idea but uses the human voice as a starting point to warp into dense and complex ambient sounds which are then controlled and modulated via the interface.

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EVE mixes three channels of loops from a choice of 142, each with control over pitch, time stretch, amplitude and filter envelopes, saturation and reverb. The resulting sound is then routed through a high and low pass filter and finally a limiter to keep everything under control. The reverb has a major role to play in the sound creation being a convolution with 86 bespoke impulse responses ranging from simple to weird and crazy. Each of the three channels can be sent individually to the reverb. The user interface, honestly, looks a little dated and unimpressive but it does lay out all the controls in a perfectly clear and straightforward manner – I guess I’ve gotten used to impressively rendered, 3D animated interfaces.

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Listening to the sound examples on the website I’m struck by both the beauty and the eeriness present in the music, along with the endless whispering. I tend to find vocal and choir samples difficult to use but there’s a modulation at work here that seems to offer some promise for environments with a human feeling. There’s 150 presets to play with but none of it sounds particularly extreme to me. It’s also not just a Kontakt instrument. It also comes as AIFF Apple loops, Acid Wav files, Reason NN-XT, EXS24, Space Designer and Logic Channel Strips – I think that’s everything covered.

EVE is available from the Time & Space website as a 2.18GB download for £55.95

More information: http://www.timespace.com

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