The father of Eurorack has a big fat Stereo Multimode Filter, an Interrupting Mixer and a Quad Attenuator and new vintage versions of some other modules.
Output Movement with its lively approach to multi-effects is now on sale for just EUR 49. I don't remember it ever being cheaper than that.
AudioThing Things – Crusher is a versatile combination of a bit crusher and multi-mode filter. Grab it now for just €9, or even for free!
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The new Dreadbox Disorder stompbox gives users an all analogue fuzz design with vintage transistors, plus patch points for control voltage.
SSL DeEss is a new de-esser plug-in that uses a relative threshold algorithm to tackle sibilance independent from the input level.
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This week’s collection free plug-ins includes the updated Flux Mini 2 for rhythmic effects, a free tremolo and a great amp and cabinet simulation.
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Erica Synths attempts to capture some of that classic Roland Jupiter and Juno sound with the AS3109 VCF chip in the Black 3109 VCF/VCA.
This week's collection of free plug-ins includes an endless sweeping filter, a reverb and a complete bundle of modulation effects.
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X Audio Systems are about to launch a new BEATS FM prototype onto Indiegogo to nail down "The Ultimate Noise Machine" stereo processor and radio.
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This week’s collection of free plug-ins includes a delay with saturation, a distortion effect and a unique sampled Crystal Harp instrument.
Poland-based manufacturer Bettermaker promises an outstanding Pultec-style equalizer with the advantages of digital connectivity.
HY-Plugins HY-Filter4 is a modular filter and multi-effect with a huge modulation engine for creative FX. And there's even a FREE version!
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Talkie Box 3 makes voices sound like they're coming from a walkie-talkie, radio, or telephone - complete with appropriate background noise!
ab Delay offers 4 independent delays (in Parallel, Serial, or combined) with 3D positioning and Ambisonics encoding/decoding features.
Acustica Audio Smoke makes your tracks sound like they were cut in the 50s USA - the coveted vintage American radio sound of the 50s.
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Bento's strictly Japanese interface lends it an exotic obscurity you'd only get from a complex instrument in a language you don't understand.