by Jef | 3,7 / 5,0 | Approximate reading time: 6 Minutes
Gibson Les Paul Standard HP 2018 Blood Orange Fade

Gibson Les Paul Standard HP 2018 Blood Orange Fade  ·  Source: Gibson/Thomann


The new Gibson 2018 Les Paul  models are now out, with various Gibson dealers showing stocks. We now have details on the whole new LP range for the 2018 line-up. They still don’t appear on Gibson’s own web site, but here’s a quick round-up of the new Les Paul models for 2018.


Cryogenically treated frets

All of the guitars in the 2018 range have now got cryogenically treated frets. This is a process where the fretwire is exposed to extreme cold before being installed on the guitars. The whole process supposedly increases the hardiness of the fret wire and decreases the chances of them wearing out as fast as regular frets.

I smell a touch of snake oil with this ‘upgrade’. It isn’t exactly groundbreaking, either, as Gibson were advertising this back in 2014. You have to wonder if this enhancement is really going to help with sales.

South Paw

Gibson are making a concerted effort to include left handed versions of all the new 2018 models. This I think is great, as it means that if you really want a certain model, you know you can get it, even if you are a lefty!

Slim Taper

A lot of the new guitars in the 2018 line-up have Slim Taper neck profiles, which is cool if you like that profile and so I can’t really complain about this. I personally prefer a meatier neck, but I’m not averse to playing slim necks, if a guitar sounds good.

2018 Standard HP and Standard

With AAA+ flamed maple tops and a single piece mahogany back, these are the top end standard Les Paul HP (High Performance) models for 2018. Each one has the asymmetrical slim-taper neck, a belly cut for comfort and cryogenically treated frets. There is a new way of of attaching the Burstbucker Rhythm Pro and Lead Pro+ pickups to the guitars. The more traditionally-minded players might hate this, as it does look a bit weird.

Colour-wise, the HPs feature Blood Orange Fade, Mojave Fade, Heritage Cherry Fade, Cobalt Fade, Hot Pink Fade. You can get the Standard version in the same colour schemes, but as bursts and with regular pickup mounting, and save around £500 in the process.


Again Gibson are putting the infamous G-Force automatic tuners on the HP version of the Les Paul and I really wish they wouldn’t, as they are nothing but a pain in the a*** to use. I had a set on my 2015 Les Paul and got rid of them as I found them to be really poor and very difficult to use effectively. Why have they chosen to use them again I will never know, but personally I think they suck.

2018 Les Paul Standard – GBP 2499 

2018 Les Paul Standard HP – GBP 2999

Gibson Les Paul Standard HP 2018 BOF

Gibson Les Paul Standard HP 2018 Blood Orange Fade · Source: Gibson/Thomann

Traditional vs Classic Les Paul

The 2018 Les Pauls are offered in Traditional and Classic versions, with the Traditional being what I would have called a Standard back in the day. These have no weight relief and PAF humbucking pickups, with very traditional vintage style appointments. No robot tuners or weird hybrid hardware here!

The Classic is a particularly interesting version of the Les Paul as it now comes with a set of P90s. They have even got a rather fetching Pelham Blue version on offer as well this year! Again, no weight relief here, so expect a beefy guitar and one with plenty of sustain (hopefully).

2018 Traditional Les Paul – GBP 1999

2018 Classic Les Paul – GBP 1699

Gibson Les Paul Classic 2018 EB

Gibson Les Paul Classic 2018 Ebony with P90s · Source: Gibson/Thomann

Les Paul Studios

The 2018 Les Paul Studio is your more ‘back to basics’ single-cut, with less frills. Yet these still maintain the core Les Paul tones and hardware. I’ve seen dealers in the UK listing a Smokehouse Burst and a Vintage Sunburst version of the Studios. We don’t have details suggesting that specifications have changed drastically on this model, so I presume they will have the aforementioned enhancements that Gibson has applied across all its 2018 offerings.

Gibson has added binding to the neck and you do a get a coil split via push/pull on tone controls, so a few extras compared to older models.

Pickup-wise, you get a set of 57 Classic in the neck and 57 Classic + for the bridge position. I really think for a ‘studio’ version that they are over-priced.

2018 Les Paul Studio – GBP 1299

Gibson Les Paul Studio 2018 VS

Gibson Les Paul Studio 2018 Vintage Sunburst · Source: Gibson/Thomann



2018 Les Paul Tribute and Faded

The Tribute is the more traditional of the two. It has no weight relief, and sports medium-output humbucking PAF pickups. The Faded 2018 has weight relief and I would imagine comes in that non-glossy nitro finish.

These are loaded with 490R and 498T, both of which are a bit more modern sounding. Both are offered at much lower prices than the full 2018 Traditional Les Paul model, so expect some cheaper components and materials, such as woods and so on.

2018 Les Paul Tribute and Faded models – GBP 849

Gibson Les Paul Tribute 2018 FHB

Gibson Les Paul Tribute 2018 Faded Honey Burst · Source: Gibson/Thomann

Pricing and opinions

My personal opinion here is that Gibson are trying hard to offer us a good quality, hand-made guitar that is built in the USA. My issue is the price. They cost way too much for us players in the UK to consider buying at full RRP. Now, my other immediate concerns are things like quality control and the cutting of corners on the cheaper models, both of which Gibson has suffered badly from in the past.

Also: is using rosewood throughout all these models a great idea?

Surely, the CITES regulations are forcing manufacturers to avoid using. Won’t all the extra paperwork needed to ship these guitars to the UK cost Gibson? Are we soaking top that extra cost? And would it be worth destroying the environment in the name of tradition?

I am not pleased to see the G-Force tuners being used again, as I honestly feel they are useless (just my opinion, but one I am sticking too, sorry). Cryogenically treated frets sounds like a gimmick to me and so I can take them or leave them. I am not sure I would notice any difference, anyway. I’d prefer that they were just dressed and polished properly, which is something Gibson has got wrong in the past.

I am not convinced at all by the 2018 Standard HP models. They just look plain odd, with their aluminium knobs and weird fade finishes. They do nothing for me at all.

There are also a whole slew of new models including SG, Explorers and Flying Vs, but for now I would love to hear all your opinions on the new 2018 Les Pauls. Feel free to comment below and let me know your thoughts.

They aren’t listed on the main Gibson site yet, but I have spotted them all over at Thomann in Europe and across dealers in the UK. A few have even made demo videos as well, so I have included a couple below for you to check out.

Gibson main site

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Gibson Les Paul Standard HP 2018 Blood Orange Fade

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10 responses to “Gibson 2018 Les Pauls available – with cryogenics and new finishes”

    ftatman says:

    The Studio and the Classic ranges are the most interesting to me. That all black Classic with P90s gives me a custom shop vibe. I love it. Is it worth £400 extra just for the finish and some binding though? I can’t say for sure. The LP Studio with ’57 classic pickups is probably the best model in the whole range. Although a tribute for around £850 is decent value is you can overlook the binding (I unfortunately can’t).

    Steve Bailey says:

    I love the G-Force tuners, press a couple of buttons, strum the strings and you are in tune, it’s so easy, I don’t know why people don’t like them.

    I also love the new pickup mounting on the HP models, I don’t like the chrome knobs but that’s an easy change. Overall I think the HP models are great, if they could only make them a little more affordable.

      Jef says:

      Well, Steve, I can’t argue with that. But I personally found the G-Force tuners to be a pain in the arse. They were temperamental, ‘twitchy’ and I much prefer just a regular set of Klusons or Grovers myself.

      Jeremy Reddoor says:

      100% agree w/G-force comment and most of the other innovations. I think there were some issues w/2015 G-force but they’ve been great for me from 2016 & 2017. I luv them, as a gigging musician I can’t say enough gr8 things about them.

      I think as usual there are traditionalists that hate them and other musicians who are cool with it. The gr8 thing is that Gibson is offering something for either type of musician…

    Adam Schneller Nolan says:

    Man… I’ve read a few of the articles on this site and they all seem to be really negative.

      Jef says:

      I’d say that I am not impressed by the last few years of Gibson’s guitars, but it is only my opinion and not gospel.

      They make some great guitars, but for me, there isn’t anything ‘amazing’ to warrant launching these as being any better than previous years models.

      I would prefer that they just made fewer variations on a theme and just made great guitars all the time instead. A more solidified product line could help with this.

      They are in some pretty serious financial difficulties at the moment and it would be a real shame if some of these poor business decisions damaged the company even further.

    Russell Stallings says:

    have they quit making the es les paul?

    Author says:

    I am truly sorry to read about the pending Gibson factory closing and the possibility of bankruptcy. The truth is, in my humble opinion, Gibson has been on a downhill slope ever since it closed the Kalamazoo factory. Just look at the product. Ray Charles could have done a better job of matching the alleged “premium” two piece tops on LP’s with inflated prices. When I worked there Gibson dealers had input. Now there are no real Gibson dealers. There are only large store where most employees don’t know which end of a guitar to blow into. If you are fortunate enough to own a genuine Kalamazoo Gibson or even an early Nashville guitar built by Kalamazoo craftsmen, don’t let it go. The quality will never be duplicated. Maybe there is someone out there who will rescue Gibson before the entire company is gone.

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