by Stefan Wyeth | 2,2 / 5,0 | Approximate reading time: 4 Minutes
Sound like Timbaland

How to sound like Timbaland.  ·  Source: Timbaland

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At his peak, Timothy Mosley aka Timbaland was one of the most in-demand and highly prolific producers in Pop, Hip-Hop, and RnB.

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Today he remains a stalwart of the culture, pioneering initiatives in the pandemic era like Verzuz TV with fellow producer, Swizz Beatz.

Over the years, his musical versatility and raw, innovative style provided a platform to work with artists like Missy Elliot, Aaliyah, Ginuwine, Justin Timberlake, Madonna, Jay-Z, Nas, Björk, Coldplay, and many more,

Although his career began rooted firmly in the RnB genre, working with renowned producer DeVante Swing, it didn’t take too long for Timbaland to build a name for himself.

His seminal work on successful debut albums in the form of Aaliyah’s One In A Million (1996), Ginuwine’s The Batchelor (1996), and Missy Elliot’s Supa Dupa Fly (1997) paved the way for a major career in pop music production.

Getting that Timbaland Sound

The distinctively immersive groove-based sonic signature of Timbaland’s production can be attributed to many factors. We’ll discuss these and look at some of his favourite gear choices over the years.

Ensoniq ASR-10

The ASR-10 keyboard was Timbaland’s go-to production tool for the early stages of his career. Its high-quality 16-bit 44.1 kHz sampling engine combined with extensive synthesis features made it a formidable tool for beat creation.

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Meanwhile, the 16-track sequencer allows up to 80 patterns and there are eight MIDI channels with which to control external hardware. The ASR-10 also boasts an impressive effects section, making it one of the most complete production tools at the time.

Ensoniq ASR-10

Ensoniq ASR-10 · Source: Vintage Synth Explorer

Over the last 20 years, the advancement of DAW software, virtual instruments, and effects plug-ins meant they can offer so much more than the ASR-10 was capable of, and Timb subsequently moved on to Reason later in his career.

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Reason Studios Reason 12 Download
Reason Studios Reason 12 Download
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(10)

Korg Triton

In 1999 Korg introduced the Triton, a 62-voice workstation synth keyboard with stereo sampling capabilities. Timb’s production style favours fluidity. So the Triton’s ability to put multiple ideas down quickly suited his workflow.

As a music production tool, however, it goes far beyond simply laying down ideas. The touchscreen interface, endless effects options, and the 16-track multitimbral sequencer give you the power to sculpt polished sounds and arrangements.

Korg Triton

Korg Triton · Source: Korg

The workstation approach to production is still relevant today, especially in a live music context and the Korg Nautilus continues this legacy.

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Korg Nautilus 61
Korg Nautilus 61
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(13)

Yamaha Motif ES7

The Motif ES series was first introduced in 2003, a time when almost every hit record was about being in the club. To reflect the times, patches found on high-end workstation keyboards like the Motif ES7 often captured this nightlife aesthetic.

With its realistic Megavoice sound engine, the Motif quickly became a must-have instrument for top producers. It allowed expressive sequencing of slides, ghost notes, hammer-ons, and fret noises which were triggered according to velocity.

Yamaha Motif ES7

Yamaha Motif ES7 · Source: Yamaha

The Motif series was much later succeeded by the Montage, which is infinitely more powerful with stereo 128-note polyphony and powerful DSP effects processing.

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Yamaha Montage 6 White
Yamaha Montage 6 White
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Urei 1176LN

The 1176 could be the most desired compressor of its kind, and although useful on other instruments, it is known for bringing vocals to the front of the mix with the nuances preserved in a very transparent and pleasing way.

Artists like Justin Timberlake used the 1176 in their vocal chain when tracking songs like SexyBack, where you can hear its distinctive warmth. The key to this is to be sparing on the preamp gain, as the tone comes from the makeup gain.

Urei 1176

Urei 1176LN · Source: Soundgas

As it’s such a classic, the 1176 has many modern recreations, notably the recently released LiN76 from Lindell Audio.

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Lindell Audio LiN76
Lindell Audio LiN76
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(6)

KRK V Series

The V Series was introduced in the late 90s and Timb was an early adopter. They quickly grew in popularity among Hip-Hop and Rock producers and engineers. This was due to their crystal high-frequency response and extended low-end.

They might not be the flattest, most neutral-sounding monitors ever produced, but they still have good translation properties. Moreover, they’re just more fun than NS10s in almost every way.

KRK V8 Series 1

KRK V8 Series 1 · Source: Sound On Sound

The current V Series 4 is still a very competitive choice in today’s market, as a budget studio monitor.

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KRK V8S4
KRK V8S4
Customer rating:
(13)

More about Timbaland:

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Sound like Timbaland

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