Unlike competing products, says Royer, the R-DB20 maintains consistent headroom and gain, regardless of the load is attached to. This is very important for achieving the intended results.
AEA introduced the TRP2 preamp - a follow-up to the original TRP, which was likely the first preamp designed exclusively for ribbon microphones. It all starts with a hign-gain, high input impedance design.
The M108 offers modern features such as Dante and remote control, but as an audio interface, the focus lies heavily on their high quality preamps and ADC.
This is a new, active version of their original model 2 ribbon microphone, but are the characteristics too much like a standard condenser?
