5 of the Best Pedals For Synths
External effects to get more mileage out of your synthesizers.
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Take your synthesizer sounds to new heights with five of the best pedals for synths, including offerings from Behringer, Zoom and Eventide.
Best Pedals For Synths
Best Pedals For Synths
One of my very first experiences with effects was running my Korg Poly-800 through a variety of old guitar pedals as a kid. I had no idea about how anything worked but it sure sounded cool. Now as a proper music-making adult, I tend to favour 1980s digital rack effects from Yamaha and Roland. When I get in the mood, however, I’ve been known to smash my synths through pedals like days of old.
I’m not the only one, it seems, as more and more synth players are catching on to the fun to be had with pedals. Pedal manufacturers are realizing this too and are developing effects units that sound great with synths. Some even have separate inputs for hotter line-level signals.
Unless you’re the proud owner of a synth with an already stellar effects section, you’re going to want to have a few pedals on hand. They’re great for live use, for spicing up YouTube demo videos or just to get you away from the screen and mouse during a production session.
Here are my picks for the five best pedals for synths. I’ve included ones from every budget level, from cheap and cheerful to tax rebate splurge.
Best Pedals For Synths: Behringer VP1 Vintage Phaser
Behringer makes all kinds of great pedal clones to pair with your synth (cloned or otherwise). My pick for the super affordable tier is the company’s VP1 Vintage Phaser.
A remake of the Electro Harmonix Small Stone, it churns out a creamy and very 1970s phaser flavour. Operation is simplicity itself: turn the Rate knob for faster modulation, and flick up the Tone switch to engage a resonant peak.
While there are all kinds of applications for a hazy phaser, I find that it sounds best on string synths. (There’s a reason Behringer pre-loaded it into their Solina String Ensemble.) Use it on your own string machine, vintage or otherwise, or any sawtooth-heavy string sound.
Behringer’s VP1 Vintage Phaser is available from our affiliate partners Thomann* and Sweetwater*.
- Behringer VP1 product page
Best Pedals For Synths: Zoom MS-70CDR+
Zoom gets a lot of love for their portable recorders but I’ve always been a fan of their effects. I dare you to find a nastier digital ring mod than the one on the 1201. The MS-70CDR has long been an affordable secret effects weapon for synth players, with reverbs that will have you double-checking the price tag in disbelief.
The company has been releasing updates of many of its pedals and it’s finally the blue one’s turn. Called the MS-70CDR+, it ups the number of effects algorithms from 86 to 149, giving you even more power for the pesos. As before, it has chorus, filter, delays and of course those big, luscious reverbs.
Zoom MS-70CDR+ is available from our affiliate partners Thomann* and Sweetwater*.
- Zoom MS-70 CDR+ product page
Best Pedals For Synths: Boss DM-101 Delay Machine
There’s just something special about bucket brigade delays. Thanks to the low-pass filter placed at the end of the analogue delay chain to reduce artefacts and noise, they have a dark and warm tone that makes a lovely contrast to modern digital delays (which you should also own). Boss has captured magic in a pedal with its DM-101 Delay Machine, an analogue BBD delay pedal with digital control.
Offering a number of different delay modes, DM-101 Delay Machine is like having a variety of delay pedals at your fingertips (or toetips if you’re using it like a guitarist). With eight BBD circuits and 12 modes, there’s plenty here to keep you occupied. Digital control allows for modern extras like MIDI, tap tempo and user memory. And since it’s from Boss you know it’s quality.
As we said in our review, the Boss DM-101 delivers exactly what it promises: authentic, well-rounded and, above all, highly musical delay sounds.
is available from our affiliate partners Thomann* and Sweetwater*.
- Boss DM-101 Delay Machine product page
Best Pedals For Synths: Meris MercuryX
Is there anything on God’s green earth that sounds better than a quality synthesizer through a high-class reverb? In case you’re tempted to answer in the negative, may I present as evidence the soundtrack for Blade Runner by Vangelis?
If you’re in the market for a top-tier hardware reverb (and your budget allows), consider MercuryX by Meris. The pedal includes algorithms from the company’s Mercury7 pedal as well as originals. These reverbs include Ultraplate, Cathedra, 78 Room, 78 Plate, 78 Hall, Spring, Prism and Gravity.
There are also Processing Elements, which include 79 Chorus, Vibrato, Vowel Mod, Tremolo, Hazy Lo-Fi and more. The reverbs themselves also have note divisions for each side of the stereo predelay. Fancy.
With its modular architecture, colour screen and analogue mix bus, this is more than just a basic reverb pedal. There are even separate inputs for guitar and line-level instruments. The sound quality really sets it apart though. It’s not cheap but if you can afford it, the Meris MercuryX is an astonishing reverb machine.
is available from our affiliate partners Thomann* and Sweetwater*.
- Meris MercuryX product page
Best Pedals For Synths: Eventide H90 Harmonizer
And so we come to the big guns: the Eventide H90 Harmonizer, truly one of the best pedals for synths on the market today. The successor to the popular H9, H90 includes tons of algorithms that run the gamut from reverbs and flangers through vocal effects and much more. Check it out: you get Cosmic Web, Glitch, GrainMod, Stutter, Quadravox+, VocalShift, VocalTune, VocalShiftMIDI, Polyphony, Prism Shift, PolyFlex, PolySynth, Bouquet Delay, Head Space, WeedWacker, Even-Vibe, Wormhole, Instant Flanger, Instant Phaser, Aggravate, Sticky Tape and SP2016 Reverb. That’s a lot of power.
More than just a DSP-packed powerhouse, H90 lets you run two algorithms simultaneously, with routings to do effects in series or parallel. There’s even a dual mode for processing two independent stereo signals at once. And you know Eventide had synth players in mind, as the device can accept both instrument and line-level inputs.
H90 is not cheap, that’s for sure. But Eventide rarely is, and it’s always quality. Think of it this way. If you splurge for the H90, you can use it not only with your synths but pretty much anything you want to throw at it. And of course that includes vocals.
is available from our affiliate partners Thomann* and Sweetwater*.
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One response to “5 of the Best Pedals For Synths”
I have a vintage lowrey organ/analog synth/string machine that sings when phased out with that Behringer vp-1 vintage phaser pedal